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HOMEOWNER PROFILE:
Jackson, California

Located in a
home in Jackson, California, this aging patio was a sea of gray with cracks
and patches here and there. The space was adequate, but so unappealing the
homeowners rarely spent time on it. Now, with EarthSource's 2x2 Garden Deck,
this space is now a beautiful, inviting patio. The deck, which is easy to
install, is made up of Machiche tiles which simply snap together.
Machiche, also known as Caribbean Cherry, is a moderately coarse and open
pored, reddish hardwood and is perfect for outdoor use.
CRAFTSMAN PROFILE:
George Lucido

George Lucido
is a retired Aerospace engineer who has worked and lived in the Bay Area for
most of his life. He has been a woodworker for 35 years and 6 years ago
purchased his first lathe and began making wooden bowls. He is now on his
third lathe and has made well over three hundred bowls. He is presently
showing his work at the Valley Art gallery in Walnut Creek and has shown at
Studio 41 in Benicia, as well as the Bedford gallery in Walnut Creek. George
enjoys creating segmented bowls as it allows him to combine various wood
species in the same piece and create interesting designs. He strives to use
bowl and vessel shapes originated by Native American Indians. You can visit
his shop "Studio Too" in Orinda almost any day, an advance call is
appreciated (925) 254-3659.
ENVIRONMENTAL ADVOCATES OF THE WOOD TRADE:
People Who Make a Difference. Jaap Romijn & John Jordan
In the two works
of art pictured above are (left to right) a music stand crafted by Jaap Romijn,
a talented furniture maker of Jaap Romijn and Friends, in Emeryville,
California, and a four-string electric violin by the recognized violinmaker,
John Jordan of Jordan Music Services in Concord, California. Beautifully
figured Koa from wind-damaged trees off the Big Island of Hawaii provided the
material for both pieces. What Jaap liked about working with the Koa was its
"wonderful raw edge. The shapes of the slabs were really nice, and the
colors in the wood were outstanding." John says, "Koa can be so
variable from a totally straight grain (not a real pronounced grain) to this
that is more striking because it has more variance. But they're all
beautiful."
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